Realist Artist in the Studio.
- August 15th, 2011
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Sir John Everett Millais was an English painter and illustrator
and one of the founders of the Pre-Raphaelite Brotherhood.
Millais’ Christ In The House Of His Parents was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop.
All early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of “pictorial eco-system”.
This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais’ friendship with Ruskin introduced him to Ruskin’s wife Effie. Soon after they met she modelled for his painting The Order of Release. As Millais painted Effie they fell in love. Despite having been married to Ruskin for several years, Effie was still a virgin. In 1855, after her marriage to Ruskin was annulled, Effie and John Millais married. He and Effie eventually had eight children.
After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as “a catastrophe”. It has been argued that this change of style resulted from Millais’ need to increase his output to support his growing family.
Unsympathetic critics such as William Morris accused him of “selling out” to achieve popularity and wealth. His admirers, in contrast, pointed to the artist’s connections with Whistler and Albert Moore, and influence on John Singer Sargent. Millais himself argued that as he grew more confident as an artist, he could paint with greater boldness.
