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	<title>Web Art Academy</title>
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	<description>Learn how to Paint  with Natalie Richy</description>
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		<title>The Restoration of a Velázquez</title>
		<link>http://webartacademy.com/the-restoration-of-a-velazquez</link>
		<comments>http://webartacademy.com/the-restoration-of-a-velazquez#comments</comments>
		<pubDate>Thu, 02 Feb 2012 21:21:59 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Old Masters]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[restoration]]></category>
		<category><![CDATA[The Restoration of a Velázquez]]></category>
		<category><![CDATA[Velázquez]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4881</guid>
		<description><![CDATA[The Restoration of a Velázquez &#160; &#160; In 1973, for reasons still not clear to me, the Metropolitan Museum of Art in New York undertook a sweeping reassessment of many of its holdings, resulting in the downgrading of 300 old master paintings from attribution to the master to attribution to “workshop of”, “circle of” or [...]]]></description>
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		<title>REMBRANDT portraits decoded</title>
		<link>http://webartacademy.com/rembrandts-decoded-portraits</link>
		<comments>http://webartacademy.com/rembrandts-decoded-portraits#comments</comments>
		<pubDate>Tue, 31 Jan 2012 13:58:23 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Old Masters]]></category>
		<category><![CDATA[Oil]]></category>
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		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Rembrandt]]></category>
		<category><![CDATA[Rembrandt-like portraits]]></category>
		<category><![CDATA[techniques]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4871</guid>
		<description><![CDATA[REMBRANDT portraits decoded A University of British Columbia researcher has uncovered what makes Rembrandt’s masterful portraits so appealing. &#160; &#160; In the study, published in the current issue of the Massachusetts Institute of Technology’s arts and sciences journal Leonardo, UBC researcher Steve DiPaola argues that Rembrandt may have pioneered a technique that guides the viewer’s [...]]]></description>
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		<title>Discovered Velazquez portrait.</title>
		<link>http://webartacademy.com/discovered-velazquez-portrait</link>
		<comments>http://webartacademy.com/discovered-velazquez-portrait#comments</comments>
		<pubDate>Fri, 27 Jan 2012 18:23:41 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art History]]></category>
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		<category><![CDATA[oil portrait]]></category>
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		<category><![CDATA[unknown]]></category>
		<category><![CDATA[Velázquez]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4863</guid>
		<description><![CDATA[Newly-discovered Velazquez portrait &#160; A Trinity College Dublin lecturer has discovered a previously unknown painting by the artist Diego Velazquez. &#160; &#160; The 300-year-old portrait of a man was thought to belong to a minor 19th century British artist until Dr Peter Cherry identified it as the work of the Spanish master. Velazquez is regarded [...]]]></description>
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		<title>Secrets of Rembrandt&#8217;s Painting Technique Revealed</title>
		<link>http://webartacademy.com/secrets-of-rembrandts-painting-technique-revealed</link>
		<comments>http://webartacademy.com/secrets-of-rembrandts-painting-technique-revealed#comments</comments>
		<pubDate>Wed, 25 Jan 2012 15:01:38 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Oil Painting]]></category>
		<category><![CDATA[Old Masters]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Rembrandt]]></category>
		<category><![CDATA[secrets]]></category>
		<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4852</guid>
		<description><![CDATA[Secrets of Rembrandt&#8217;s Painting Technique Rembrandt&#8217;s paintings have transfixed viewers for centuries, but now a new study reveals a scientific explanation for their calming beauty. By painting more detail in and around the eyes of his subjects, Rembrandt tapped into an innate human attraction to the face. This creates a more calming and immersive experience [...]]]></description>
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		<title>Glazing Painting Techniques</title>
		<link>http://webartacademy.com/glazing-painting-techniques</link>
		<comments>http://webartacademy.com/glazing-painting-techniques#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:22:13 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
		<category><![CDATA[How to Paint]]></category>
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		<category><![CDATA[fat over lean]]></category>
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		<category><![CDATA[Glazing]]></category>
		<category><![CDATA[Natalie Richy]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[techniques]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4821</guid>
		<description><![CDATA[Glazing Painting Techniques &#160; So, here I&#8217;ll give you way too much information on glazing (or indirect painting). But you can pick out what you need and forget the rest. It&#8217;ll be right here if you ever change your mind. Here&#8217;s the first rule (yes, in art rules are for breaking, but you have to [...]]]></description>
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		<title>The Old Masters: Vermeer&#8217;s Palette</title>
		<link>http://webartacademy.com/the-old-masters-vermeers-palette</link>
		<comments>http://webartacademy.com/the-old-masters-vermeers-palette#comments</comments>
		<pubDate>Fri, 23 Dec 2011 20:44:20 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
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		<category><![CDATA[baroque]]></category>
		<category><![CDATA[dutch]]></category>
		<category><![CDATA[lessons]]></category>
		<category><![CDATA[Oil Painting]]></category>
		<category><![CDATA[old masters]]></category>
		<category><![CDATA[paintir]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[techniques]]></category>
		<category><![CDATA[Vermeer]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4801</guid>
		<description><![CDATA[Oil paintings techniques: Vermeer&#8217;s Palette &#160; &#160; Johannes Vermeer was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of middle class life. &#160; &#160; Palette: azurite carmine charcoal black green earth indigo ivory black lead white lead-tin yellow madder lake red ochre smalt ultramarine umber weld verdigris vermillion yellow ochre &#160; &#160; &#160; &#160; &#160; &#160;]]></description>
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		<title>The Old Masters: Rembrandt&#8217;s Palette</title>
		<link>http://webartacademy.com/the-old-masters-rembrandts-palette</link>
		<comments>http://webartacademy.com/the-old-masters-rembrandts-palette#comments</comments>
		<pubDate>Tue, 20 Dec 2011 10:32:45 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Old Masters]]></category>
		<category><![CDATA[dutch]]></category>
		<category><![CDATA[etcher]]></category>
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		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Painter]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[printmaker]]></category>
		<category><![CDATA[Rembrandt]]></category>
		<category><![CDATA[secrets]]></category>
		<category><![CDATA[techniques]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4793</guid>
		<description><![CDATA[Oil painting techniques: Rembrandt&#8217;s Palette &#160; &#160; Rembrandt was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. &#160; Lead white Ochres Bone black Vermillion Siennas Raw umber Burnt umber Lead-Tin Yellow Cassel earth &#160; &#160; &#160; &#160;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Old Masters: Velázquez&#8217;s Palette</title>
		<link>http://webartacademy.com/the-old-masters-velazquezs-palette</link>
		<comments>http://webartacademy.com/the-old-masters-velazquezs-palette#comments</comments>
		<pubDate>Sun, 18 Dec 2011 20:17:28 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
		<category><![CDATA[How to Paint]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[lessons]]></category>
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		<category><![CDATA[old masters]]></category>
		<category><![CDATA[Painter]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[Spanish]]></category>
		<category><![CDATA[techniques]]></category>
		<category><![CDATA[Velázquez]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4780</guid>
		<description><![CDATA[The Old Masters: Velázquez&#8217;s Palette &#160; &#160; Diego Rodríguez de Silva y Velázquez was a Spanish painter who was the leading artist in the court of King Philip IV. &#160; According to Carmen Garrido, Head of Technical Services at the Prado Museum in Madrid and author of Velázquez: Tecnica y Evolución, Velázquez&#8217;s palette consisted of the following colors: &#160; WHITE: composed [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Old Masters: Titian&#8217;s Palette</title>
		<link>http://webartacademy.com/the-old-masters-titians-palette</link>
		<comments>http://webartacademy.com/the-old-masters-titians-palette#comments</comments>
		<pubDate>Fri, 16 Dec 2011 13:55:57 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Oil Painting]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[oil painting techniques]]></category>
		<category><![CDATA[Painter]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[Titian]]></category>
		<category><![CDATA[Venetian school]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4768</guid>
		<description><![CDATA[Oil painting techniques: Titian&#8217;s Palette &#160; &#160; Titian was an Italian painter, the most important member of the 16th-century Venetian school. Lapis Lazuli (natural ultramarine or lazurite) Malachite Lead-Tin Yellow Italian Yellow Earth Vermilion Ercolano Red Lead White German Vine Black &#160; &#160; &#160; &#160;]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Limited Palette of Anders Zorn</title>
		<link>http://webartacademy.com/limited-palette-of-anders-zorn</link>
		<comments>http://webartacademy.com/limited-palette-of-anders-zorn#comments</comments>
		<pubDate>Wed, 14 Dec 2011 12:51:53 +0000</pubDate>
		<dc:creator>Web Art Academy</dc:creator>
				<category><![CDATA[Art Materials]]></category>
		<category><![CDATA[How to Paint]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[famous painting]]></category>
		<category><![CDATA[figural]]></category>
		<category><![CDATA[how to oil painting]]></category>
		<category><![CDATA[oil Painting Lessons]]></category>
		<category><![CDATA[Painter]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[swedish]]></category>

		<guid isPermaLink="false">http://webartacademy.com/?p=4758</guid>
		<description><![CDATA[Limited Palette of Anders Zorn &#160; Anders Zorn is the most well-known Swedish painter. &#160; Palette: Flake white, Yellow Ocher Vermilion Cool black (Ivory + cobalt blue) Warm black (Ivory + burnt Sienna) &#160; &#160; &#160;]]></description>
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