Old Masters Academy

Posts Tagged "oils"

How to paint like Rembrandt: Oil Painting Glazing Techniques

How to paint like Rembrandt: Oil Painting Glazing Techniques

Rembrandt was so pleased with his innovation of glazing over dried impasto that he expanded the practice to other textures, devising a method that utilized different whites for impasto and smoother passages. His impasto white was very “lean” and had egg as an ingredient (meaning it must have dried quite quickly), ground glass, and also white lead, which was used as a binder. He generally applied it with increasing thickness in several stages, whereafter it was finished with transparent glazes and wiping, creating the lustre and dimension he is so well-known for. No other technique produces the same brilliance as Rembrandt’s. When he painted Lieutenant Ruytenburch’s uniform in “The Night Watch,” Rembrandt used this method to build up the dimensions…

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A French symbolist painter in the Studio

A French symbolist painter in the Studio

A French symbolist painter, printmaker, draughtsman and pastellist. Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family. He started drawing as a child, and at the age of ten he was awarded a drawing prize at school. Aged fifteen, he began the formal study of drawing, but on the insistence of his father he changed to architecture. His failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he briefly studied painting there under Jean-Léon Gérôme in 1864. (His younger brother Gaston Redon would become a noted architect.) Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography….

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