When you buy a sketchbook, you visualize your future drawings filling up its pages. Undoubtedly in your mind they are as beautifully executed as those fast, effortless sketches of the Masters. All you need is just a few virtuoso strokes to capture the essence of the character or an object. Or maybe, if you do everything more diligently and try a bit harder, you’ll create something similar to Michelangelo’s preparatory drawings for the Sistine Chapel.
Then reality hits. Your sketches somehow don’t look like Leonardo’s and Michelangelo’s. They are not even close to those living guys you follow on Instagram. Oh gosh, now your sketchbook looks ugly! There is nothing you can show to your friends!
Oil painting lessons and techniques: Materials It remains to speak of those tools which are not essentials, but conveniences, to painting. Even as conveniences, however, they are of importance enough to have an influence on your work. You can paint without them, but you will work more easily for the having of them; and something of the sort, although not necessarily of the same kind, you must have. You may improvise something, in other words, to take the place of these, but you would be wiser to get those which are made for the purpose. The Box.—First, the box for oil paints. You must keep your things together somehow, and it would be as well that you keep them in…
Oil painting materials: Stretchers Stretchers.—The keyed stretcher, with wedges to force the corners open and so tighten the canvas when necessary, is the only proper one to use. For convenience of use many kinds have been invented, but you will find the one here illustrated the best for general purposes. The sides may be used for ends, and vice versa. If you arrange your sizes well, you will have the sides of one size the right length for the ends of another. Then you need fewer sizes, and they are surer to pack evenly. Stretching.—You will often have to stretch your own canvases, so you should know how to do it. There is only one way to make the…