Elegant Art Jokes: THE CATACOMBS OF EGYPT. Part2.

The grottos present externally no other ornaments than a door in a simple square frame, with an oval in the centre of the upper part, on which are inscribed the hieroglyphical figures of a beetle, a man with a hawk’s head, and beyond the circle two figures on their knees, in the act of adoration. Having passed the first gate, long arched galleries are discovered, about twelve feet wide and twenty feet high, cased with stucco, sculptured and painted; the vaults, of an elegant elliptical figure, are covered with innumerable hieroglyphics,
disposed with so much taste, that notwithstanding the singular grotesqueness of the forms, and the total absence of demi-tint or aërial perspective, the ceilings make an agreeable whole, a rich and harmonious association of colors. Four of five of these galleries, one within the other, generally lead to a spacious room, containing the sarcophagus of the king, composed of a single block of granite, about twelve feet long by eight in breadth, ornamented with hieroglyphics, both within and without; they are square at one end, and rounded at the other, like the splendid sarcophagus deposited in the British Museum, and supposed by Dr. Clarke to have contained the body of Alexander. They are covered with a lid of the same material, and of enormous thickness, shutting with a groove; but neither this precaution, nor these vast blocks of stone, brought from such a distance with immense labor, have been able to preserve the relics of the sovereigns from the attempts of avarice; all these tombs have been violated. The figure of the king appears to have been sculptured and painted at full length on the lid of each sarcophagus.

The paintings found in these sepulchres are among the most curious and interesting remains of Egyptian art; and they are in wonderful preservation, the colors being as fresh as when first executed. Some of these figures were copied by Bruce; and Denon, a member of the French Commission sent by Napoleon to examine the antiquities of Egypt, has published a most valuable collection which have all
the appearance of spirited and characteristic resemblances. “I discovered,” says he, “some little chambers, on the walls of which were represented all kinds of arms, such as panoplies, coats of mail, tigers’ skins, bows, arrows, quivers, pikes, javelins, sabres, helmets, and whips: in another was a collection of household utensils, such as caskets, chests of drawers, chairs, sofas, and beds, all of exquisite forms, and such as might well grace the apartments of modern luxury. As these were probably accurate representations of the objects themselves, it is almost a proof that the ancient Egyptians employed for their furniture Indian wood, carved and gilt, which they covered with embroidery. Besides these, were represented various smaller articles, as vases, coffee-pots, ewers with their basins, a tea-pot and basket. Another chamber was consecrated to agriculture, in which were represented all its various instruments—a sledge similar to those in use at present, a man sowing grain by the side of a canal, from the borders of which the inundation is beginning to retire, a field of corn reaped with a sickle, and fields of rice with men watching them. In a fourth chamber was a figure clothed in white, playing on a richly ornamented harp, with eleven strings.”

To Be Continued