On 11 Jun, 2010 With
This chef-d’œuvre of Titian, so celebrated in the history of art, represents Venus endeavoring to detain Adonis from the fatal chase. Titian is known to have made several repetitions of this charming composition, some of them slightly varied, and the copies are almost innumerable. The original is supposed to have been painted at Rome as a companion to the Danaë, for the Farnese family, about 1548, and is now in the royal gallery at Naples. The most famous of the original repetitions is that at Madrid, painted for King Philip II., when prince of Spain, and about the period of his marriage with Queen Mary of England. There is a fine duplicate of this picture in the English National Gallery,…
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On 10 Jun, 2010 With
Titian, the great head of the Venetian school, like Raffaelle, the head of the Roman, had a host of imitators and copyists, some of whom approached him so closely as to deceive the best judges; and many works attributed to him, even in the public galleries of Europe, were doubtless executed by them.
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On 9 Jun, 2010 With
There were many colossal statues of Memnon in Egypt, but the most remarkable were the two in the Memnonium or palace of Memnon, at Thebes. The largest is of rose-colored granite, and stood in the centre of the principal court; its height was sixty-four feet, and its remains are scattered forty feet around it. Rigaud, one of the French savans, says, “the excavations are still visible where the wedges were placed which divided the monument when it was thrown down by Cambyses.” The trunk is broke off at the waist, and the upper part lies prostrate on the back; it measures six feet ten inches over the front of the head, and sixty-two feet round the shoulders. At the entrance…
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On 9 Jun, 2010 With
When thwarted in the Academy (which happened not unfrequently), his wrath aired itself in a polyglott. “It is a pleasant thing, and an advantageous,” said the painter, on one of these occasions, “to be learned. I can speak Greek, Latin, French, English, German, Danish, Dutch, and Spanish, and so let my folly or my fury get vent through eight different avenues.”
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On 8 Jun, 2010 With
The temple of Luxor is about one and a fourth mile above that of Carnac, and though it is of smaller dimensions it is in a superior style of architecture, and in more complete preservation. The entrance is thought to surpass everything else that Egypt presents. In front are the two finest obelisks in the world, formed of rose-colored granite, and rising, as Denon supposes, after allowing for the portion buried in the ground, to the height of one hundred feet. But the objects which most attract attention, are the sculptures which cover the east wing of the northern front. They represent on a grand scale, a victory gained by one of the ancient kings of Egypt over their Asiatic…
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On 7 Jun, 2010 With
Most writers observe that Titian had four different manners, at as many different periods of his life: first that of Bellini, somewhat stiff and hard, in which he imitated nature, according to Lanzi, with a greater precision than even Albert Durer, so that “the hairs might be numbered, the skin of the hands, the very pores of the flesh, and the reflection of objects in the pupils seen:” second, an imitation of Giorgione, more bold and full of force; Lanzi says that some of his portraits executed at this time, cannot be distinguished from those of Giorgione: third, his own inimitable style, which he practiced from about his thirtieth year, and which was the result of experience, knowledge, and judgment,…
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On 6 Jun, 2010 With
The largest of the temples of Thebes, and of any in Egypt, is that of Carnac, on the site of the ancient Diospolis. Diodorus describes it as thirteen stadia, or about a mile and a half in circumference, which nearly agrees with the admeasurements of Denon. It has twelve principal entrances; and the body of the temple, which is preceded by a large court, consists of a prodigious hall or portico, the roof of which is supported by one hundred and thirty-four columns, some twenty-six, and others thirty feet in circumference; four beautiful obelisks then mark the entrance to the shrine, which consists of three apartments, built entirely of granite.
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On 5 Jun, 2010 With
Thebes, an ancient city and capital of Egypt, and the oldest city in the world, was situated in Upper Egypt, on both sides of the Nile, about two hundred and sixty miles south of Cairo. Thebes is “the city of a hundred gates,” the theme and admiration of ancient poets and historians, and the wonder of travelers—”that venerable city,” in the language of Dr. Pocoke, “the date of whose destruction is older than the foundation of other cities, and the extent of whose ruins, and the immensity of whose colossal fragments still offer so many astonishing objects, that one is riveted to the spot, unable to decide whither to direct the step, or fix the attention.” These ruins extend about…
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On 5 Jun, 2010 With
You travel far to sketch a place of scenic beauty. By M.Boddy-Evans
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On 26 May, 2010 With
Champollion, the famous explorer of Egyptian antiquities, holds the following language at the end of his fifteenth letter, dated at Thebes. “It is evident to me, as it must be to all who have thoroughly examined Egypt or have an accurate knowledge of the Egyptian monuments existing in Europe, that the arts commenced in Greece by a servile imitation of the arts in Egypt, much more advanced than is vulgarly believed, at the period when the Egyptian colonies came in contact with the savage inhabitants of Attica or the Peloponnesus. Without Egypt, Greece would probably never have become the classical land of the fine arts. Such is my entire belief on this great problem. I write these lines almost in…
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