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Elegant Art Jokes: FUSELI’S CHANGE FROM LITERATURE TO PAINTING.

Fuseli’s wit, learning, and talents gained him early admission to the company of wealthy and distinguished men. He devoted himself for a considerable time after his arrival in London to the daily toils of literature—translations, essays, and critiques. Among other works, he translated Winckelmann’s book on Painting and Sculpture. One day Bonnycastle said to him, after dinner, “Fuseli, you can write well,—why don’t you write something?” “Something!” exclaimed the other; “you always cry write—Fuseli write!—blastation! what shall I write?” “Write,” said Armstrong, who was present, “write on the Voltaire and Rousseau Row—there is a subject!” He said nothing, but went home and began to write. His enthusiastic temper spurred him on, so that he composed his essay with uncommon rapidity….

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Elegant Art Humour: FUSELI’S “NIGHTMARE.”

Soon after his return to England, Fuseli painted his “Nightmare,” which was exhibited in 1782. It was unquestionably the work of an original mind. “The extraordinary and peculiar genius which it displayed,” says one of his biographers, “was universally felt, and perhaps no single picture ever made a greater impression in this country. A very fine mezzotinto engraving of it was scraped by Raphael Smith, and so popular did the print become, that, although Mr. Fuseli received only twenty guineas for the picture, the publisher made five hundred by his speculation.” This was a subject suitable to the unbridled fancy of the painter, and perhaps to no other imagination has the Fiend which murders our sleep ever appeared in a…

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Elegant Art Jokes: FUSELI’S ARRIVAL IN LONDON.

Fuseli arrived in the capital of the British Empire early one morning, before the people were stirring. “When I stood in London,” said he, “and considered that I did not know one soul in all this vast metropolis, I became suddenly impressed with a sense of forlornness, and burst into a flood of tears. An incident restored me. I had written a long letter to my father, giving him an account of my voyage, and expressing my filial affection—now not weakened by distance—and with this letter in my hand, I inquired of a rude fellow whom I met, the way to the Post Office. My foreign accent provoked him to laughter, and as I stood cursing him in good Shaksperian…

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Renaissance man: Leonardo’s personal life

Personal life Within Leonardo’s lifetime, his extraordinary powers of invention, his “outstanding physical beauty”, “infinite grace”, “great strength and generosity”, “regal spirit and tremendous breadth of mind” as described by Vasari, as well as all other aspects of his life, attracted the curiosity of others. One such aspect is his respect for life evidenced by his vegetarianism and his habit, described by Vasari, of purchasing caged birds and releasing them. Leonardo had many friends who are now renowned either in their fields or for their historical significance. They included the mathematician Luca Pacioli, with whom he collaborated on a book in the 1490s, as well as Franchinus Gaffurius and Isabella d’Este.[citation needed] Leonardo appears to have had no close relationships with women except for…

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Raphael Renaissance: Sistine Madonna

Sistine Madonna, also called The Madonna di San Sisto, is an oil painting by the Italian artist Raphael. Finished shortly before his death, ca. 1513–1514, as a commissioned altarpiece, it was the last of the painter’s Madonnas and the last painting he completed with his own hands. Relocated to Dresden from 1754, the well-known painting has been particularly influential in Germany. After World War II, it was relocated to Moscow for a decade before it was returned to Germany. There, it resides as one of the central pieces in the Gemäldegalerie Alte Meister. Composition In the painting, the Madonna, holding the Christ Child and flanked by Saint Sixtus and Saint Barbara, stands on clouds before dozens of obscured cherubs, while two distinctive winged cherubs rest on their elbows beneath her. American travel guideRick…

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