Old Masters Academy

Posts Tagged "oil paint"

The great oil painting techniques of Old Masters

The great oil painting techniques of Old Masters

Ever since the knowledge of the great oil painting techniques of the Renaissance was so mysteriously lost, about the end of seventeenth century, artists have been trying vainly to rediscover the methods of such masters as Titian, Rubens, Rembrandt and Velasquez, as well as of their predecessors–Jan Van Eyck, Memling, Giovanni Bellini and others, though not allowing for the same facility of execution on a large scale, were nevertheless were nevertheless equally as brilliant and durable.   It has been evident to every artist who has worked in the medium of oil paint for the last two centuries or more, that certain qualities of color and modelling and brilliance of surface which seem to have been the common Possession of earlier…

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Oil painting materials – Oil Paints

Oil painting materials – Oil Paints

Oil painting materials Oil Paints Oil paint is a mix of a powdered pigment bounded with a medium of drying oil.   Linseed oil is commonly used as a carrier in oil paint. Oil paints can be mixed with linseed oil as a medium to make paints more fluid; this medium also increases glossiness and makes paint more transparent. Linseed oil comes as cold pressed, alkali refined, sun bleached, sun thickened, and polymerised (stand oil). Traditionally, the old masters used to prepare oil paints themselves. Today, ready-made oil paints available in tubes from any art supply shop. It is possible to paint with oils without diluting them with solvents, by using brush pressure to spread the paint out thinly. In…

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Palettes of Famous Painters: The Degas palette

Palettes of Famous Painters: The Degas palette The Degas palette above is from earlier in his career, when he was still using the earthy tones common to the Dutch tradition. It lightened considerably in later years as his subject matter altered. Although there are a number of prescribed ways in which to lay out oil paint – light to dark; as per the colour wheel; basic palettes of three colours and white – all artists begin by lining up pigments at the top of the palette and use the remainder of its space for mixing.

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