On 4 Sep, 2010 With
New European Painting emerged in the 1980s and has clearly reached a critical point of major distinction and influence in the 1990s with painters like Gerhard Richter andBracha Ettinger whose paintings have established and continue to create a new dialogue between the historical archive, American Abstraction and figurality, followed by painters like Luc Tuymans, Marlene Dumas and others. A third wave came with artists like Neo Rauch, Michaël Borremans and Chris Ofili. Bad boy, oil on linen, 66 inches x 96 inches by Eric Fischl Neo-expressionism and other related movements in painting have emerged in the final two decades of the 20th century in Europe and in the United States, but this New Painting is not expressionist. Rather it is a renovative kind of abstraction and…
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On 3 Sep, 2010 With
York Avenue HQ Illegal antiquities In 1997, a Channel 4 Dispatches programme alleged that Sotheby’s had been trading in antiquities with no published provenance, and that the organisation continued to use dealers involved in the smuggling of artifacts. As a result of this exposé, Sotheby’s commissioned their own report into illegal antiquities, and made assurances that only legal items with published providence would be traded in the future. Price fixing scandal In February 2000, A. Alfred Taubman and Diana (Dede) Brooks, the CEO of the company, stepped down amidst a price fixing scandal. The FBI had been investigating auction practices in which it was revealed that collusion involving commission fixing between Christie’s and Sotheby’s was occurring. In October 2000, Brooks…
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On 2 Sep, 2010 With
Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. It is also the name of a 2001 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle. Description Superflat is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the “shallow emptiness of Japanese consumer culture.” A self-proclaimed art movement, it was a successful piece of niche marketing, a branded art phenomenon designed for Western audiences. In addition to Murakami, artists whose work is considered “Superflat” include Chiho Aoshima, Mahomi Kunikata, Sayuri Michima, Yoshitomo Nara, Tatsuyuki Tanaka, and Aya Takano. In addition, some animators within anime and some mangaka are considered Superflat, especially Koji Morimoto (and much of the output of his…
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On 1 Sep, 2010 With
Virtual art (in terms of media art) is art practice using virtual reality, augmented reality or mixed reality as a medium. It can be considered a post-convergent art form, containing all previous media as subsets. Notable artists producing virtual art: Maurice Benayoun Brody Condon Char Davies Michael Naimark Myron Krueger Stefan Roloff Jeffrey Shaw Peter Weibel Source: en.wikipedia.org.com
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On 31 Aug, 2010 With
Superstroke is a term used for an post modern art movement with its origins in South Africa. Superstroke is one of the influential art movements regarding African modernism and abstraction. The word “Superstroke” implies the super expressive brush stroke. The Superstroke art movement was initially founded as a reaction to the impact that the Superflat art movement, founded by Takashi Murakami had on modern contemporary art. Manifesto The manifesto for the Superstroke art movement was written in 2008 by the South African artist Conrad Bo and deals with various forms of how paintings in the movement should be executed. This includes the statement that paintings should be created by using very expressive brush strokes. The manifesto also deals with photography…
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On 30 Aug, 2010 With
Jonas Burgert (born 1969, Berlin, Germany) is an artist based in Berlin. He has shown work in many exhibitions including Rohkunstbau at Stipendiaten in Berlin, Geschichtenerzähler at Hamburg Kunsthalle and Dis-Positiv at Staatsbank in Berlin. Burgert has exhibited internationally at museums and galleries such as Galerie Sfeir-Semler, Beirut and Villa Manin , Passariano, Italy and was part of the Malerei Biennale in Stockholm in 2003. He is represented by Produzentengalerie in Hamburg. Source: en.wikipedia.org
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On 29 Aug, 2010 With
Henri de Toulouse-Lautrec (1864-1901) The French Post-Impressionism painter Henri de Toulouse-Lautrec was the archetypal bohemian artist. He was also outstanding at drawing, illustration and printmaking. A crippled aristocrat, he lingered around the cafes and brothels of Paris producing some of the most memorable images of Montmartre nightlife. Lautrec’s paintings contain a vivid collection of prostitutes, beggars, impressarios, aristocrats and drunks, whom he portrayed without criticism or disapproval. He also produced some 30 high quality advertising posters, which contributed significantly to the Belle Epoque poster craze. His works have come to symbolize both the gaiety and seediness of fin de siecle Paris. Influenced by Manet and Degas, the great figurative painters of French Impressionism, Lautrec’s key works include Woman Doing her…
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On 28 Aug, 2010 With
Sotheby’s World Records Sotheby’s has achieved numerous world records for auctioned paintings and sculpture. 2004: The most expensive painting ever sold at auction: Garçon à la pipe, by Pablo Picasso. Sold for $104.2 million. A classic work of modern art. Source: visual-arts-cork.com
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On 12 Jul, 2010 With
No sooner had Fuseli formed the resolution of devoting his talents to painting, in 1770, than he determined to visit Rome. He resided in Italy eight years, and studied with great assiduity the pictures in the numerous galleries, particularly the productions of Michael Angelo, whose fine and bold imagination, and the lofty grandeur of his works, were most congenial to his taste. It was a story which he loved to tell in after life, how he lay on his back day after day, and week after week, with upturned and wondering eyes, musing on the splendid ceiling of the Sistine chapel—on the unattainable grandeur of the great Florentine. During his residence abroad, he made notes and criticisms on everything he…
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On 24 Jun, 2010 With
In 1833, the French removed the smallest of the two obelisks which stood before the propylon of the temple of Luxor to Paris, and elevated it in the Place de la Concorde. The shaft is 76 feet high, and eight feet wide on the broadest side of the base; the pedestal is 10 feet square by 16 feet high. Permission for the removal of both the obelisks having been granted to the French government by the Viceroy of Egypt, a vessel constructed for the purpose was sent out in March, 1831, under M. Lebas, an eminent engineer, to whom the undertaking was confided, it being previously determined to bring away only one, and M. Lebas found it sufficiently difficult to…
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