Old Masters Academy

Archive for March, 2011

Secrets of Vermeer’s painting technique.

Vermeer’s painting technique: Underpainting After the initial outline drawing was completed Vermeer began the underpainting, one of the most important stages in his working procedure. Without a thorough knowledge and mastery of the underpainting technique, many of the artist’s complex compositions, accurate depiction of light and chromatic subtleties could not have been easily achieved. Underpainting, or “dead color” as it was called in Vermeer’s time, is rarely practiced today. For the last century, most artists have simply begun painting directly on the canvas with full color surpassing the underpainting stage entirely. Therefore, neither the function or the practice of underpainting is well understood. In its simplest terms, underpainting is a monochrome version of the final painting which fixes the composition, gives…

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Art Terms: Trompe-l’œil

Art Terms: Trompe-l’œil Trompe-l’œil, which can also be spelled without the hyphen in English as trompe l’oeil, French for ‘deceive the eye’ is an art technique involving extremely realistic imagery in order to create the optical illusion that the depicted objects appear in three dimensions. History in painting Although the phrase has its origin in the Baroque period, when it refers to perspectival illusionism, use of trompe-l’œil dates back much further. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l’œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Greek story concerns a contest between…

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