Old Masters Academy

Archive for April, 2012

The controversial Restoration of Holbein’s “Ambassadors”

The controversial Restoration of Holbein’s “Ambassadors”

The controversial Restoration of Holbein’s “Ambassadors” The Early Music pioneer (Sir) John Eliot Gardiner recently left the Daily Telegraph’s music critic, Ivan Hewett, reeling with incredulity by saying that he had not seen himself as a crusading musicological force but simply as a jobbing musician who recognised that “other views are valid, as long as they’re convincing in performance”. For Hewett, Gardiner had long epitomised the radical movement to “scrape the varnish” off music by playing on obsolete period instruments and eschewing later styles and types of musical understanding in attempt to produce historically authentic performances. For over half a century after the Second World War picture restorers at the National Gallery, London, sought to recover the historically authentic appearances of paintings by first removing…

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The Controversial Restoration of Michelangelo’s Sistine Chapel Ceiling

The Controversial Restoration of Michelangelo’s Sistine Chapel Ceiling

The Controversial Restoration of Michelangelo’s Sistine Chapel Ceiling  No single proof of a restoration-induced injury to a work of art could be clearer than the photograph shown here (Fig. 1) of a section of Michelangelo’s Sistine Chapel ceiling frescoes. It was taken after the last restoration and shows in its centre section a repair made in 1566 by the painter Domenico Carnevale when a section of Michelangelo’s fresco fell away during settlement of the building (see Fig. 2 diagram).   Carnevale had re-plastered the loss and, while the plaster surface was still wet, faithfully painted it to match Michelangelo’s (then) surrounding colours and tones.   The repair was a good one and for centuries it remained almost invisible (see Figs….

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