Old Masters Academy

Posts Tagged "art movements"

Realistic Schools: Pre-Raphaelite Brotherhood

Dante Gabriel Rossetti. The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The three founders were soon joined by William Michael Rossetti,James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member “brotherhood”. The group’s intention was to reform art by rejecting what they considered to be the mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art. Hence the name “Pre-Raphaelite”. In particular, they objected to the influence of Sir Joshua Reynolds, the founder of the English Royal Academy of Arts. They called him “Sir Sloshua”,…

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Young British Artists. Art Movements of 1990s

Young British Artists Young British Artists or YBAs (also referred to as Brit artists and Britart) is the name given to a group of conceptual artists, painters, sculptors and installation artists based in the United Kingdom, most (though not all) of whom attended Goldsmiths College in London. The term Young British Artists is derived from shows of that name staged at the Saatchi Gallery from 1992 onwards, which brought the artists to fame. It has become a historic term, as most of the YBAs are now in their forties. They are noted for “shock tactics”, use of throwaway materials and wild-living, and are (or were) associated with the Hoxton area of East London. They achieved considerable media coverage and dominated British art during the 1990s. Leading artists of the group…

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Art Movements of 2000s: Street art

Street art is any art developed in public spaces — that is, “in the streets” — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations. Typically, the term street art or the more specificpost-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art. Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by…

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Realistic Schools: Peredvizhniki

Peredvizhniki (Russian pronounced as Pear-rad-veezh-niki, often calledThe Wanderers or The Itinerants in English, were a group of Russian realist artists who in protest at academic restrictions formed an artists’ cooperative which evolved into the Society for Traveling Art Exhibitionsin 1870. History The society formed in 1870 in St. Petersburg under Ivan Kramskoi, Grigoriy Myasoyedov, Nikolai Ge and Vasily Perov’s initiative during a struggle of the avant-garde art forces of the country for democratic ideals, and in a counterbalance to the official center of art—the St.Petersburg Academy of Arts. The society developed the best traditions of the Artel of Artists headed by Kramskoi, who became the leader of the new association. Peredvizhniki were influenced by the public and aesthetic views of Vissarion Belinsky and Nikolai Chernyshevsky. Like most Slavophiles, Chernyshevsky was a liberal and ardently supported…

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Anti-art

Anti-art is a loosely-used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I, when he began to use found objects as art. An expression of anti-art can take the form of art or not. In general, anti-art rejects only some aspects of art. Depending on the case, “anti-artworks” may reject conventional artistic standards. Anti-artworks may also reject the art market, and high art. Anti-artworks may reject individualism in art. Anti-art may reject “universality” as an accepted factor in art,…

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Realistic Schools: Naturalism

Realistic Schools: Naturalism

Naturalism     Naturalism in art refers to the depiction of realistic objects in a natural setting. The Realism movement of the 19th century advocated naturalism in reaction to the stylized and idealized depictions of subjects in Romanticism, but many painters have adopted a similar approach over the centuries. One example of Naturalism is the artwork of American artist William Bliss Baker, whose landscape paintings are considered some of the best examples of the naturalist movement. Another example is the French Albert Charpin, from the Barbizon School,with his paintings of sheep in their natural settings. An important part of the naturalist movement was its Darwinian perspective of life and its view of the futility of man up against the forces of nature. Naturalism began in the…

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Art Movements of 2000s: Classical Realism

Classical Realism Classical Realism refers to an artistic movement in late 20th century painting that places a high value upon skill and beauty, combining elements of 19th century neoclassicism and realism. Origins The term “Classical Realism” was originally used in the title of a 1982 exhibition by Richard Lack (1928 – 2009), a pupil of R. H. Ives Gammell(1893-1981). The movement traces its lineage from Jean-Léon Gérôme (1824-1904) through William Paxton (1869-1941) of the Boston school. By 1985 Richard Lack had begun publishing Classical Realism Quarterly, with articles written by Lack and his students, aiming to inform the public about traditional realist painting. In a separate vein, another major contributor to the revival of traditional drawing and painting knowledge is the painter and art instructor Ted Seth Jacobs…

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Art Movements of 1900s: Maximalism

Maximalism Maximalism is a term used in the arts, including literature, visual art, music, and multimedia. It is used to explain a movement or trend by encompassing all factors under a multi-purpose umbrella term like expressionism. The term maximalism is sometimes associated with post-modern novels, such as by David Foster Wallace and Thomas Pynchon, where digression, reference, and elaboration of detail occupy a great fraction of the text. This sort of literature is also frequently described as hysterical realism, a term coined by James Wood, who argues that it is a genre similar to magical realism. Novelist John Barth defines literary maximalism through the medieval Roman Catholic Church’s opposition between, “two…roads to grace:” the via negativa of the monk?s cell and the hermit?s cave, and the via affirmativa of immersion in human…

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Art Movements of 2000s: Superflat

Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. It is also the name of a 2001 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle. Description Superflat is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the “shallow emptiness of Japanese consumer culture.” A self-proclaimed art movement, it was a successful piece of niche marketing, a branded art phenomenon designed for Western audiences. In addition to Murakami, artists whose work is considered “Superflat” include Chiho Aoshima, Mahomi Kunikata, Sayuri Michima, Yoshitomo Nara, Tatsuyuki Tanaka, and Aya Takano. In addition, some animators within anime and some mangaka are considered Superflat, especially Koji Morimoto (and much of the output of his…

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Art Movements of 2000s: Virtual art

Virtual art (in terms of media art) is art practice using virtual reality, augmented reality or mixed reality as a medium. It can be considered a post-convergent art form, containing all previous media as subsets. Notable artists producing virtual art: Maurice Benayoun Brody Condon Char Davies Michael Naimark Myron Krueger Stefan Roloff Jeffrey Shaw Peter Weibel Source: en.wikipedia.org.com

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