Oil painting techniques: Rembrandt’s Palette Rembrandt was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. Lead white Ochres Bone black Vermillion Siennas Raw umber Burnt umber Lead-Tin Yellow Cassel earth
Techniques of printmaking (etching) as a fine art Etching is part of the intaglio family (along with engraving, drypoint, mezzotint, and aquatint.) The process is believed to have been invented by Daniel Hopfer (circa 1470-1536) of Augsburg, Germany, who decorated armour in this way, and applied the method to printmaking. Etching soon came to challenge engraving as the most popular printmaking medium. Its great advantage was that, unlike engraving which requires special skill in metalworking, etching is relatively easy to learn for an artist trained in drawing. Etching prints are generally linear and often contain fine detail and contours. Lines can vary from smooth to sketchy. An etching is opposite of a woodcut in that the raised portions of an…
The biggest art theft in American history occurred at the Isabella Stewart Gardner Museum in Boston on March 18, 1990. The stolen paintings, including the one that hung in this frame, Rembrandt’s “Lady and Gentleman in Black,” remain unrecovered. It was the art heist of the century, and 20 years on, Boston billboards are being used to jog the public’s memory, reportsTom Moroney ART LOVERS who didn’t catch Rembrandt’s The Storm on the Sea of Galilee at the Isabella Stewart Gardner Museum before 1990 can now see it on electronic billboards outside Boston – courtesy of the FBI. Twenty years ago, on March 18th, the Dutch master’s only seascape, along with a dozen other artworks, disappeared from the museum. Two billboards…
Is it fake or is it Rembrandt? Over the years there has been considerable controversy over unsigned drawings that seem to be from the hand of Rembrandt Harmenszoon van Rijn, the Dutch painter and etcher who died in 1669. Since 1968, participants in the Amsterdam-based Rembrandt Research Project have halved the accepted list of genuine, “autograph” paintings by the master to about 300 pictures. (They also elevate new works to the list from time to time.) There are about 300 accepted first-state etchings. An exhibit at The Getty makes an effort to distinguish the real from the ersatz. Fifty-three of the small drawings on display are now generally presumed to be by Rembrandt. The remaining 50 have been reattributed to…
A self-portrait formerly considered a Rembrandt knockoff has been deemed a genuine early work of the Dutch master—and valued at $40 million. Rembrandt Laughing, executed on a small copper plate, was examined by Holland’s leading Rembrandt experts. A British art collector purchased the work late last year for $4.5 million from an auction house that had appraised it at $3,100. “It has an incredible presence,” said a Rembrandt authority. “The light has the most natural quality you can think of—and I love the naturalness of the laughing.”